I completed a personal project I set for myself this fall. I photographed the State Fair of Texas in time-lapse! I've had the urge to do some time-lapse photography this year, and the Fair provided the perfect opportunity.
This video is set to HD. You'll probably have to pause it for a while to let it download. If you're impatient to see it, just click on the red HD icon to switch it for a faster download. Below the video, I'll write about how it was created - for those who are interested in the technicals.
You can also see the video on YouTube here.
For you fellow camera geeks out there, a few cameras (like mine, the Nikon D3) have an 'interval timer' feature (it's also called an intervalometer). Basically, you use the camera's menu features to set it to shoot every x number of seconds by y number of exposures. Then, you let it go. The Nikon's fastest interval timer setting is every 1 second, but I figured out how to rig the camera to shoot every 1/2 second.
Each of the scenes in this video were recorded from 1/2 second intervals to 3 second intervals. 24 exposures compose one second of video. I shot over 15,000 exposures to work from! Because HD video doesn't need a lot of megapixels, I photographed images at the D3's smallest image size as normal quality JPEGs.
Each of the images were then batch processed in Photoshop to crop them to the 16:9 HD format and enhance the saturation and exposure a bit. They were saved as 1920 by 1080 pixel JPEGs.
Then, I compiled them using just Quicktime Pro ($30 from apple.com). It's a very simple program, but it does a beautiful job at time-lapse imagery. The problem, though, is that it won't do transitions (like you see in the above video). I first tried making Quicktime clips of each scene, then put them together in Final Cut Express. The problem was that the second-generation Quicktime movie result was clearly inferior in image quality to the first-generation clip. So, I created an action in Photoshop to transition the scenes and re-save them as JPEGs. All 10,895 separate JPEGs were then put into Quicktime Pro at 24 images per second, I added the music from the soundtrack of 'Amelie', and then exported it as a 1280 x 720 HD Quicktime movie (using settings suggested by YouTube).
Phew! Well, it was fun to do something completely different.
BTW, I jokingly subtitled this, 'How to Shoot Video with the Nikon D3'. But, only a photographer will find that humorous.